THREE:If, however, we pass to the second point of view, and judge Neo-Platonism according to the requirements, not of truth or of usefulness, but of beauty, our first verdict of utter condemnation will be succeeded by a much more favourable opinion. Plotinus has used the materials inherited from his predecessors with unquestionable boldness and skill; and the constructive power exhibited in the general plan of his vast system is fully equalled by the close reasoning with which every detail is elaborated and fitted into its proper place. Nothing can be imagined more imposing than this wondrous procession of forms defiling from the unknown to the unknownfrom the self-developing consciousness of Reason as it breaks and flames and multiplies into a whole universe of being and life and thought, ever returning, by the very law of their production, to the source whence they have sprungonward and outward on the wings of the cosmic Soul, through this visible world, where they reappear as images of intellectual beauty in the eternal revolutions of the starry spheres above, in the everlasting reproduction of organic species below, in the loveliest thoughts and actions of the loveliest human soulstill339 the utmost limits of their propagation and dispersion have been reached, till the last faint rays of existence die out in the dark and void region that extends to infinity beyond. Nothing in the realm of abstractions can be more moving than this Odyssey of the human soul, wakened by visions of earthly loveliness to a consciousness of her true destiny, a remembrance of her lost and forgotten home; then abandoning these for the possession of a more spiritual beauty, ascending by the steps of dialectic to a contemplation of the archetypal Ideas that lie folded and mutually interpenetrated in the bosom of the eternal Reason where thought and being are but the double aspect of a single absolute reality; seeking farther and higher, beyond the limits of existence itself, for a still purer unity, and finding in the awful solitude of that supreme elevation that the central source of all things does not lie without but within, that only in returning to self-identity does she return to the One; or, again, descending to the last confines of light and life that she may prolong their radiation into the formless depths of matter, projecting on its darkness an image of the glory whose remembrance still attends her in her fall.
ONE:A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being compelled to teach a truth he would not learn, Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned."And I remember you now," Lawrence replied. "So you know nothing of what has been happening lately?"
Lorem Ipsum is simply dummy text of the printing and typesetting industry.
More Lorem Ipsum added here too.
